Drums that hit back, amps ready to play — and a crew that actually plays. Online only — every order ships direct from our warehouse, and you pay securely online with Square.
Free shipping on orders over $300 in the United States only
Online only · Ships direct from warehouse · Pay with Square
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Every department is run by a player, not a pitch. Ask anything by email — straight answers, real specs, and gear that ships direct from our warehouse to your door.
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Cort · Electric · Acoustic · Bass
Electric, acoustic, and bass — from first axes to stage-ready firepower. The full Cort Guitars catalog by KMC Music lives on its own page, sold online right here at Mark's — tap through to browse it.
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Jasmine · Washburn · Steel · Nylon · 12-string
Unplugged and unhurried — steel, nylon, and 12-string acoustics, shipped direct from our warehouse. The full Jasmine Guitars catalog by KMC Music and the full Washburn catalog powered by KMC Music live here in the Acoustic Room, sold online right here at Mark's — tap through to browse Jasmine, and open Washburn from the Acoustic Room tab in the toolbar.
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Pianos · Keyboards · Synths
Weighted keys, stage pianos, and synths — specs, sounds, and straight answers online.
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British Drum Co. · Kits · Snares · Hardware
Full kits and snares that hit back — plus sticks, heads, and hardware. The whole British Drum Co. catalogue lives on its own page — tap through to browse it.
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Sax · Trumpet · Clarinet · Flute
Step-up horns, reeds, and everything to keep them screaming — shipped direct to you.
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Randall · Park · Hiwatt · Tube · Combos · Heads & Cabs
Tube combos, high-gain heads, and cabs that push air — the full Randall, Park, and Hiwatt catalogs each live on their own Guitar Amps page. Every one ships direct from our warehouse.
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Mackie · Shure · Mixers · Mics · Wireless · Monitors · PA
Mixers, microphones, interfaces, studio monitors, and PA that makes the whole room hear it — the full Mackie catalog of PA speakers, subs & mixers on its own page under PA & Live Sound, and the full Shure catalog on its own page under Microphones. Tap through to browse them.
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Monster Cable · Studio Flex · Martin Strings · Picks · Sticks · Cables
The stuff that keeps you playing — strings, picks, capos, tuners, sticks, straps, stands, cases, and cables. The full Monster Cable catalog, the full Studio Flex catalog, and the full Martin Strings catalog — all powered by KMC Music — live here in Accessories on their own pages, sold online right here at Mark's — tap through to browse them. Martin Strings is also under Guitars.
Every British Drum Co. line, right here on its own page at Mark's — handbuilt in Stockport, England with cold-press moulded shells and Art Deco–inspired Palladium hardware. Founded in 2015, BDC builds for players who want warm, resonant, distinctly British tone that hits hard live and records beautifully. Kits, snares, Casino hardware, and the Marching Division — it's all here.
Tell the drum crew which model, finish, and size you want and they'll sit you behind it. If it's not in stock that day, ask about ordering it in.
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View full pic ↗The mighty sound of birch. Cold-press moulded, cross-laminated shells with small single Palladium lugs — crisp and delicate up high, deep punch and low-end growl tuned down.
The warmth of maple with the punch of birch. Legend MBX pairs the hybrid shell with Palladium hardware for BDC's most versatile voice — at home on stage and in the studio.
The step-up Legend. Premium shell specification, enhanced hardware, and exclusive Ultra finishes including Raven Glass and Sterling Silver.
The sweet sound of mahogany. Thin cross-laminated shells with an inner mahogany veneer for rich, complex warmth — tune high for warm brightness, tune low for deep, rich lows.
Inspired by the Tower of London ravens and 100% handmade in Britain. BDC's most affordable British-built kit — cold-press moulded, Palladium lugs, and the Raven vent badge, in Black Ash satin.
“We cracked it!” A high-spec collection designed to make exceptional drums accessible to every drummer — punchy lows and mids, smooth rounded attack, and new Piccadilly low-mass lugs with raised enamel ‘b’ badges.
Small and mighty. A cocktail-sized kit that packs away into its own hardcase — huge BDC tone in the smallest footprint in the catalogue.
The kit line built around Iron Maiden drummer Nicko McBrain's signature sound and spec — the headline act of BDC's drum-kit range, made for big stages.
BDC's finest. The same cold-press craftsmanship, taken to unique, individual drums in exotic veneers — collector-grade kits that become the highlight of any collection, including the Mulberry Harbour and Peveril Shore editions.
Double-braced, chain-drive, adjustable spring tension, Palladium clutch & footplate.
MAP $419.99
Double-braced with adjustable off-setting snare cradle and memory lock.
MAP $239.99
One ball-ended L-arm, double-braced, works with the Casino Multi-Clamp.
MAP — Quoted online
Two ball-ended L-arms, double-braced, memory locks throughout.
MAP $369.99
Ball-ended L-arm with knurled post for secure, precise tom positioning.
MAP — Quoted online
12″ disappearing knurled boom arm with memory locks, Multi-Clamp compatible.
MAP — Quoted online
Twin-section clamp for 22mm (⅞″) and 25mm (1″) tubing, interlocking design.
MAP $79.99
BDC's Axial line for pipe band drums — the Marching Division's flagship technology series.
Regimental marching drums built the British way — traditional looks, modern BDC engineering.
Carriers, accessories, and essentials to keep Axial and Regimental drums parade-ready.
Want one behind your kit? This is the complete British Drum Co. catalogue we carry right here at Mark's — finishes and sizes vary by model, and Founders Reserve pieces are one-offs. Add any kit, snare, or hardware piece to your cart at its MAP price and pay online with Square — lines marked Quoted online are priced online once your finish and size are confirmed.
Pick your weapon ↓Your monthly subscription to Mark’s drum instruction — get access to all the videos posted by Mark, from your first beat to stage-ready.
Your monthly subscription — you will have access to all the videos posted by Mark: rudiments, beats, reading, double bass, and personal technics — Mark’s very own personal exercises to help you with your feet and hands. Watch anytime and work through them at your own pace.
Monthly Subscription — $24.95/mo · Sign UpSubscription: $24.95/mo billed via Square · All-access to every video Mark posts · Rudiments, beats, reading, double bass & personal technics. Sign up by email to Mark — subscribers open the subscription page with the video topic links.
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Your $24.95/mo subscription gives you access to all the videos posted by Mark. Sign up first — then the video topics open below: rudiments, beats, reading, double bass, and personal technics.
This page is for $24.95/mo subscribers. Sign-up is simple: send your name and email to Mark, he sets up your monthly subscription billed through Square at $24.95/mo, and the topic links — Rudiments, Beats, Reading, Double Bass, and Personal Technics — open right here.
You're in — your sign-up email is headed to Mark. Pick a topic below — every video Mark posts in that topic lives there. Watch anytime and work through them at your own pace.
The sticking patterns everything else is built on — singles, doubles, paradiddles, and more, played clean and brought up to speed.
Videos coming here. Mark adds his rudiments videos as they're finished — subscribers see every video Mark posts in this topic.
Beats and grooves you can sit on all song long — pocket, feel, and keeping solid time behind the kit.
Videos coming here. Mark adds his beats videos as they're finished — subscribers see every video Mark posts in this topic.
Reading drum music — notes, rests, and charts, so you can play what's on the page right the first time.
Videos coming here. Mark adds his reading videos as they're finished — subscribers see every video Mark posts in this topic.
Double bass pedal work — building even, controlled feet that stay tight at any tempo.
Videos coming here. Mark adds his double bass videos as they're finished — subscribers see every video Mark posts in this topic.
Mark's very own personal exercises — the ones he uses himself — to help you with your feet and hands.
Videos coming here. Mark adds his personal technics videos as they're finished — subscribers see every video Mark posts in this topic.
Online only — no storefront markups or pickup lines. Your gear ships direct from our warehouse, packed to survive the road.
Everyone here actually plays. Ask for a recommendation or a straight answer by email — and you'll get one.
Gear and the $24.95/mo drum subscription are paid online with Square — secure checkout, no trip to a store. Free shipping on orders over $300 in the United States only.
“The best music store puts the right gear in your hands fast, packed right, and shipped straight from the warehouse. That's the store we're building, every day.”
The department for everything that keeps the main gear working — strings, picks, capos, tuners, straps, sticks, drum heads, stands, cases, and cables for guitar, bass, drums, keys, and the stage.
Two full cable catalogs live here on their own pages: Monster Cable and Studio Flex, both powered by KMC Music and sold right here at Mark's. And for strings, the full Martin Strings catalog by KMC Music lives here in Accessories too — you'll also find it under Guitars in the toolbar. Not sure which gauge, length, or connector you need? Email the crew what you're plugging into what — straight answers, no upsell.
The cable is part of your tone. Monster Cable's Prolink lines are voiced per job — Rock for electric guitar, Bass for low end, Acoustic for natural warmth, Studio Pro 2000 for the studio, plus Classic workhorses, mic cables, and speaker cables.
Browse the Monster Cable catalog →StudioFlex builds premium U.S. cables around silver- and copper-core conductors and 24k gold-plated connectors — the Ultra and Acoustic Silver Core lines for players chasing detail, Silent Connect cables that switch off silently when you unplug, and High Definition XLR mic cables.
Browse the Studio Flex catalog →Fresh strings are the cheapest tone upgrade there is. The full Martin Strings catalog — SP, Lifespan 2.0, Retro Monel, Luxe Kovar, Clapton's Choice, classical, 12-string and more — lives here in Accessories too, and under Guitars, every set with a photo, description, MAP price, and Add to Cart. Picks in every gauge, capos, clip-on tuners, straps, and stands: tell the crew your guitar and tuning and they'll point you at the right set.
Browse the Martin Strings catalog →Sticks break and heads wear out — that's the job. Keep spares in the bag: sticks in your size and tip, fresh batter and resonant heads, a drum key that actually lives on your kit, and the Casino hardware and marching essentials from British Drum Co. on the Drums page.
The unglamorous gear that saves the gig: mic stands that don't droop, guitar stands that don't tip, padded gig bags and hard cases, 9V and AA batteries for pedals and wireless, gaffer tape, and ear protection for loud rooms.
For the Band & Orchestra department: reeds in your strength, mouthpieces, ligatures, valve oil, slide grease, cork grease, and the cleaning and care kits that keep horns playing in tune and on time.
Small order, same service. Accessories ship direct from our warehouse with free shipping on orders over $300 in the United States only, and you pay online with Square — whether it's one pack of strings or a full cable overhaul for the whole band.
Pick your weapon ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Monster Cable line we carry at Mark's, right here on its own page under Accessories — 16 instrument, microphone, and speaker cables, every one with a real photo, a description of its construction and job, its MAP price, and an Add to Cart button. Tap any cable's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Monster has built performance cables since 1979 — and today Monster Cable reaches U.S. stores powered by KMC Music distribution. Prolink cables are voiced for the instrument: multi-gauge wire networks carry lows, mids, and highs on their own paths, with heavy shielding and 24k gold-contact connectors built to be stepped on nightly. Every Monster cable here is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse, free shipping on orders over $300 in the United States only.
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View full pic ↗The electric guitar cable, exactly as pictured in its retail pack: an advanced coaxial design with multiple-gauge wire networks and a solid-core center conductor for fast transients, clean highs, vivid harmonics, and tighter bass response — built for high-octane playing, with patented ergonomic connectors with 24k gold contacts and a heavy-duty jacket that shrugs off stage life.
View full pic ↗The long Rock: 21 feet of the same multi-gauge, solid-core Rock construction for players who roam big stages — clean highs and fast transients preserved over the full run, with a 95% copper braided shield keeping noise out. Photo shows the 12-foot Rock retail pack, its sibling in the same series.
View full pic ↗The Rock recipe in patch size: an 8-inch right-angle-to-right-angle jumper with the same multi-gauge construction and gold-contact connectors, so your pedalboard hops don't become the weak link in the chain. Photo shows the Rock guitar cable pack, its sibling in the same series.
View full pic ↗Voiced for bass, KMC model MBASS2-12WW: solid-core conductors, a MicroFiber dielectric, and multi-gauge wire networks deliver quick transients and wide dynamic range — punchy lows that stay tight and articulate highs that don't get buried. Photo shows the Studio Pro coil, its sibling in the same Prolink family.
View full pic ↗The Bass voicing in an 8-inch patch: solid-core, multi-gauge construction sized for pedalboards, so low-end punch survives every hop between your tuner, comp, and drive. Photo shows the Studio Pro coil, its sibling in the same Prolink family.
View full pic ↗Voiced for acoustic and hollow-body guitars, exactly as pictured: multiple-gauge wire guides lows, mids, and highs separately to preserve your instrument's natural warmth and timbre, with a MicroFiber dielectric for faster transients and greater clarity, and patented hardwood connectors with 24k gold contacts.
View full pic ↗The Acoustic voicing in patch length: multi-gauge construction and gold-contact right-angle plugs for the DI, EQ, and reverb hops in an acoustic rig — natural warmth, preserved end to end. Photo shows the Acoustic retail pack, its sibling in the same series.
View full pic ↗The workhorse, KMC model CLAS-I-12WW: Monster Classic delivers the reliability every musician needs — a durable, flexible jacket, all-metal connectors, and clean, honest signal at a working player's price. The spare that lives in every gig bag. Photo shows the Studio Pro coil, its sibling in the same Prolink family.
View full pic ↗Monster's top-of-the-line instrument cable, KMC model SP2000-I-12WW, pictured here in its Studio Pro coil form: three Time Correct multi-gauge wire networks, maximum bandwidth-balanced construction, and gold-contact connectors — the cable that sets the standard in studios because it gets out of the way of the performance. For guitar, bass, and keys when the take matters.
View full pic ↗The flagship at full stage length, KMC model SP2000-I-21AWW: 21 feet of Studio Pro 2000 construction with a right-angle plug at the guitar — premium sound reproduction for guitar, bass, and keyboards, with the reach for big stages and studio live rooms. Photo shows the Studio Pro coil, its sibling in the same line.
View full pic ↗The flagship mic cable, KMC model SP2000-M-20WW, pictured at its XLR ends: three Time Correct multi-gauge wire networks for extreme accuracy in imaging, depth, and soundstage — ultra-quiet and noise-free, with custom Monster XLR connections with 24k gold contacts. Superb vocal and instrument reproduction for studio and stage.
View full pic ↗The stage mic cable, exactly as pictured at its silver XLR ends: a rugged, high-quality balanced cable for microphones on stage or in the studio, with dense shielding to reject RF and EMI, a flexible Duraflex-style jacket that coils without fighting you, and connectors built for nightly plugging. The 5-foot length is the drum-overhead, amp-mic, and short-run favorite.
View full pic ↗The affordable Classic mic cable, KMC model CLAS-M-5WW, exactly as pictured at its XLR ends: twisted-pair construction makes it less sensitive to magnetic interference, so vocals stay clear of buzz and hum — the rehearsal-room and short-run standard at a first-cable price.
View full pic ↗Maximum fidelity and power transfer for professional speaker systems, KMC model SP2000-S-10SPWW, exactly as pictured with its locking speakON-style connectors: heavy-gauge conductors keep amp power honest all the way to the cabinet — the cable Monster's reputation was literally built on, starting with speaker cable over thirty years ago.
View full pic ↗The short flagship speaker run, KMC model SP2000-S-3WW: three feet of Studio Pro speaker construction for head-to-cabinet and powered-speaker hops where a long coil would just be a trip hazard — maximum power transfer, minimum mess. Photo shows the speakON speaker cable, its sibling in the same speaker line.
View full pic ↗The industry-standard Classic speaker cable in the handy 3-foot size, KMC model CLAS-S-3WW: exceptional performance and classic style for amp-to-cabinet runs — the trusted, affordable way to stop using an instrument cable where a speaker cable belongs. Photo shows the speakON speaker cable, its sibling in the same Monster speaker family.
Buy them here at Mark's. Monster Cable is powered by KMC Music distribution in the U.S., and every Monster cable on this page is sold right here online at Mark's — no buying direct. Add any cable to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
Back to Accessories ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Studio Flex line we carry at Mark's, right here on its own page under Accessories — 10 instrument and microphone cables, every one with a real photo, a description of its conductors and job, its MAP price, and an Add to Cart button. Tap any cable's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
StudioFlex, based in the USA, makes premium cables with performance before anything else and only the finest materials — silver- and copper-core conductors, 24k gold-plated connectors, and a lifetime-warranty mindset — and today Studio Flex reaches U.S. stores powered by KMC Music distribution. Every Studio Flex cable here is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse, free shipping on orders over $300 in the United States only.
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View full pic ↗The flagship, exactly as pictured: the Ultra Series pairs a silver-core conductor with 24k gold-plated ¼″ connectors for the most detailed, open top end in the StudioFlex range — built for professional and serious musicians running effects, pedalboards, and tube amps who want to hear all of them.
View full pic ↗The acoustic-voiced silver cable, pictured here in its straight-to-angle natural-finish form: a silver core tuned to keep an acoustic-electric's fingerstyle detail and string definition intact over a full 20-foot stage run, with a right-angle plug that sits flat against the guitar's endpin jack.
View full pic ↗The straight-to-straight version of the Acoustic Silver Core, exactly as pictured in natural finish: the same silver-core clarity voiced for acoustic instruments, for players whose jack and amp both want a straight plug — studio, church, and seated-stage favorite.
View full pic ↗The 15-foot Acoustic Silver Core: a touch less cable to manage on small stages and in the studio, with the same silver-core definition and a right-angle guitar end. Photo shows the 20-foot natural coil, its sibling in the same Acoustic Silver Core series.
View full pic ↗The warm workhorse: a true copper core with 24k gold-plated connectors delivers the classic, full-bodied copper sound at a mid price, in the full 20-foot stage length with a right-angle guitar end. Photo shows the Ultra black coil, its sibling in the same StudioFlex family.
View full pic ↗The short True Copper: 10 feet of copper-core, gold-plated StudioFlex for practice rigs, recording, and tight stage corners where a 20-footer just becomes a nest. Photo shows the Ultra black coil, its sibling in the same StudioFlex family.
View full pic ↗Swap guitars mid-set without the cannon blast: the Silent Connect's silent plug mutes the cable the moment it leaves the jack, so changes are truly silent through the PA. This 20-foot angle-end version, pictured in natural finish, is the worship- and theater-stage favorite.
View full pic ↗The straight-plug Silent Connect at full stage length: same auto-muting silent plug for pop-free guitar swaps, for players and jacks that prefer a straight connector. Photo shows the Ultra black coil, its sibling in the same StudioFlex family.
View full pic ↗The short Silent Connect: 10 feet with the auto-muting plug, for small stages, classrooms, and home rigs where you swap between two guitars at the same amp. Photo shows the Ultra black coil, its sibling in the same StudioFlex family.
View full pic ↗The StudioFlex mic cable, exactly as pictured at its black XLR ends: designed for accuracy and definition with dual shielding for professional studio performance and studio-grade black XLR connectors — vocals and instruments arrive with their detail intact, without RF hash riding along.
Buy them here at Mark's. Studio Flex is powered by KMC Music distribution in the U.S., and every Studio Flex cable on this page is sold right here online at Mark's — no buying direct. Add any cable to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
Back to Accessories ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Universal Audio interface we carry at Mark's, right here on its own page under Recording & Interfaces in Pro Audio — 12 Volt and Apollo audio interfaces, every one with a real photo, a description of its inputs, preamps, and processing, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
UA built the Apollo — the interface that put real analog studio sound, Unison preamps, and realtime UAD plug-ins on the desktop — and the Volt line brings that same UA sound to every budget. Today Universal Audio reaches U.S. stores powered by KMC Music distribution, and every UA interface here is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse, free shipping on orders over $300 in the United States only.
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View full pic ↗View full pic ↗The entry point to UA sound: one combo mic/line input with UA's Vintage mode — a 610 tube preamp emulation that adds real tube warmth at the touch of a button — plus a Hi-Z instrument input, 24-bit/192 kHz conversion, MIDI, and direct monitoring. Includes UA's LUNA recording software and plug-in bundle. Photo shows the Volt 2, its sibling in the same Volt series.
View full pic ↗The best-selling Volt, exactly as pictured: two combo inputs, each with its own Vintage tube-preamp mode and instrument switch, 48V phantom power, a big monitor knob, headphone out, MIDI, and zero-latency direct monitoring — record a vocal and a guitar at once, with UA character on both. Includes LUNA and the UA plug-in bundle.
View full pic ↗The Volt for small rigs that outgrow two inputs: two Vintage-mode combo preamps plus two line inputs, four outputs for monitors and outboard, MIDI I/O, and 5V USB bus power for recording anywhere. Photo shows the Volt 2, its sibling in the same Volt series.
View full pic ↗One input, two studio tricks: the Volt 176 pairs the Vintage tube-preamp mode with a built-in analog 76 compressor — an 1176-style FET circuit with presets for vocals, guitar, and fast attack — so your takes arrive polished, not just captured. Photo shows the Volt 76-series body with its wood side cheeks.
View full pic ↗The two-input 76: Vintage tube-preamp mode and a built-in 1176-style compressor on each channel — track a stereo pair, or a vocal and guitar, both already glued together on the way in. Photo shows the Volt 76-series body, its sibling in the same series.
View full pic ↗The collaborator's Volt, exactly as pictured with its wood side cheeks: four inputs with Vintage mode and built-in 76 compression for recording larger projects — a small band, a podcast panel, or a synth rig — with big studio sound and per-channel character.
View full pic ↗The 476 with four full mic preamps instead of two: mic up a drum kit, a string quartet, or a four-host podcast with Vintage mode and 76 compression on every channel. Photo shows the Volt 476, its sibling in the same 76-series body.
View full pic ↗The first rackmount Volt: eight Vintage tube-emulating preamps and eight 1176-style compressors on the front panel, 32-bit/192 kHz conversion, guitar/drum/vocal presets, talkback, and ADAT I/O to link up to three units into a 24-channel system — Apollo thinking at a Volt price. Photo shows the desktop 76-series body, its sibling in the same Volt family.
View full pic ↗The world's most popular pro desktop interface, for Windows: a 10×6 USB 3 interface with elite Apollo X 24-bit/192 kHz conversion, two Unison preamps that track through classic preamp emulations, DUO Core realtime UAD processing, and the Heritage Edition plug-in bundle — LA-2A, 1176, 610-B, Pultec, and Pure Plate included.
View full pic ↗The Gen 2 desktop flagship, exactly as pictured: next-generation Apollo X conversion with 129 dB dynamic range, two Unison mic preamps, Auto-Gain, DUO Core DSP for realtime UAD plug-ins while tracking, and the Essentials+ plug-in bundle — the two-input Apollo most pro project studios are built around.
View full pic ↗Same Twin X Gen 2, twice the DSP: four SHARC processors run bigger realtime plug-in chains — a full Unison preamp, EQ, compression, and reverb on both inputs while you track, with processing to spare at mixdown. Photo shows the Apollo Twin X, the same body in the same series.
View full pic ↗The four-input desktop Apollo: four Unison preamps, QUAD Core DSP, elite Gen 2 conversion, and enough I/O for a small band or a synth-heavy desk — the step up when two inputs stop being enough but a rack is too much. Photo shows the Apollo Twin X, its sibling in the same Apollo desktop family.
Buy them here at Mark's. Universal Audio is powered by KMC Music distribution in the U.S., and every UA interface on this page is sold right here online at Mark's — no buying direct. Add any interface to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
Back to Pro Audio ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Lake People line we carry at Mark's, right here on its own page under Studio Monitors & Headphones in Pro Audio — 13 headphone amps, monitor controllers, and studio mic preamps, every one with a real photo, a description of its inputs, outputs, and job, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Lake People has built professional audio in Germany since 1986 — the studio arm of the same engineering house behind Violectric. Their Phone-Amps are the headphone amplifiers broadcasters and mastering engineers trust to tell the truth: ultra-low noise, huge voltage swing for high-impedance headphones, and switchable pre-gain so one amp drives everything from sensitive in-ears to 600 Ω studio cans. Today Lake People reaches U.S. stores powered by KMC Music distribution, and every piece here is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse, free shipping on orders over $300 in the United States only.
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View full pic ↗The way into Lake People: a compact German-built desktop amp, exactly as pictured, with an unbalanced RCA input, two headphone outputs (¼″ and 3.5mm) that run at the same time, and internally switchable pre-gain to match sensitive in-ears or power-hungry studio headphones. The same low-noise, high-voltage Lake People circuit philosophy as the big amps, in the smallest box they make.
View full pic ↗The smallest serious studio Phone-Amp, exactly as pictured: an unbalanced RCA input feeding two ¼″ headphone outputs, a discrete transistor output stage, and 5-way internally switchable pre-gain (−6 / 0 / +6 / +12 / +18 dB) so it drives anything from 16 Ω in-ears to 600 Ω reference cans cleanly. Built in Germany, made to sit next to an interface or DAC and simply never be the weak link.
View full pic ↗The professional-input twin of the G103-S, exactly as pictured: a balanced XLR input for direct connection to interfaces, consoles, and DACs, two ¼″ headphone outputs, the same discrete output stage, and 5-way switchable pre-gain for headphones from 16 to 600 Ω. The cue and check-back amp broadcast and studio engineers have kept on the desk for years.
View full pic ↗The compact studio amp with the full control set, exactly as pictured: balanced XLR and unbalanced RCA inputs, two headphone outputs that can run as separate left/right feeds, a real balance control, mono and phase-reverse switches for checking mixes, Alps pots, and 7-way pre-gain adjustable from −18 to +18 dB. The engineer's desktop amp — built for people who listen for a living.
View full pic ↗The Lake People reference, exactly as pictured: a professional studio headphone amplifier with discrete circuit design — four transistors per channel — an Alps RK27 volume pot, balanced and unbalanced inputs, two headphone outputs, and 5-way switchable pre-gain. This is the amp other headphone amps get compared to: silent background, effortless drive, and nothing added to the sound. Made in Germany.
View full pic ↗Lake People's true-balanced desktop amp, exactly as pictured: four fully balanced amplifier channels drive balanced headphones through the 4-pin XLR output, with a standard ¼″ jack alongside for unbalanced use, plus volume and balance controls and mono/phase switching for mix checks. Push-pull power with very high voltage swing — the G108 wakes up planar and high-impedance headphones that ordinary outputs leave sleepy.
Buy them here at Mark's. Lake People is powered by KMC Music distribution in the U.S., and every amp, controller, and preamp on this page is sold right here online at Mark's — no buying direct. Add any piece to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
Back to Pro Audio ↓Every Randall line we carry at Mark's, right here on its own Guitar Amps page — the complete current Randall catalog: 24 amps, cabinets, and footswitches, every one with a photo, a short description of its watts, tubes/channels and speaker, its MAP price, and an Add to Cart button.
Randall has defined heavy tone since Don Randall founded the company in 1970 — pioneering FET solid-state circuits, then the all-tube Diavlo and Fortin-engineered Thrasher series: the tight, aggressive sound trusted by Dimebag Darrell, Kirk Hammett, and Scott Ian. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗View full pic ↗100 watts, all-tube, 3 channels — 12AX7 preamp into 6L6 power tubes, with Tube Boost Mode, speaker-emulated XLR direct out with ground lift, and a Class A discrete FX loop. Head only — pair it with a Randall cab. Built for stage and studio: crystal cleans to aggressive modern high gain. 4-function footswitch included.
View full pic ↗100 watts, all-tube, 3 channels — 12AX7 preamp into EL34 power tubes for British-style midrange push, with Tube Boost Mode, speaker-emulated XLR out, and a Class A FX loop. Head only — pair it with a Randall cab. The Diavlo flagship voiced with EL34 bark. 4-function footswitch included.
View full pic ↗45 watts, all-tube, 2 channels plus boost — 12AX7 preamp into 6L6 power tubes, with Tube Boost Mode, speaker-emulated XLR direct out with ground lift, and a Class A discrete FX loop. Head only — pair it with a 1×12, 2×12, or 4×12 cab. Full Diavlo tone for clubs, rehearsal, and recording. Footswitch included.
View full pic ↗45 watts, all-tube, 2 channels plus boost — 12AX7 preamp into EL34 power tubes, with Tube Boost, speaker-emulated XLR out, and a Class A FX loop. Head only — pair it with a Randall cab. Classic EL34 character — rich cleans, aggressive mids, and dynamic distortion for rock and metal. 2-function footswitch included.
View full pic ↗20 watts, all-tube, 2 channels plus boost — 12AX7 preamp into 6V6 power tubes, driving a single 12″ speaker in a combo cab, with Tube Boost Mode, speaker-emulated XLR direct out, and a Class A discrete FX loop. Real Diavlo tube tone in one grab-and-go box for home, studio, rehearsal, and small stages. 2-function footswitch included.
View full pic ↗5 watts, all-tube, single channel — 12AX7 preamp into a 6V6 power tube, with Gain, Tone, and Master, a 3-way ToneStack Shift, a Class A FX loop, and a speaker-emulated XLR out with dummy load for silent recording. Head only — pair it with the RD112 or RG8 cab. Premium tube feel at bedroom volume, made for home and recording.
View full pic ↗120 watts, all-tube, 2 channels with 4 modes — engineered by Mike Fortin, with High and Low Frequency Gain controls, full EQ per channel, Presence/Density power-amp voicing, push/pull bias, and a series/parallel loop behind heavy-duty metal grilles. Head only — pair it with a Randall 4×12. Tight, relentless attack that stays defined on drop-tuned 6, 7, and 8-string guitars. 2-button LED footswitch included.
View full pic ↗300 watts at 4Ω, solid-state FET, 3 channels — with an intelligent noise gate, switchable FX loop, speaker-emulated XLR out with ground lift, media input, and headphone out. Head only — pair it with a Randall 4×12. The biggest RG head: maximum solid-state headroom for the stage, no tubes to baby. 4-function footswitch included.
View full pic ↗100 watts at 4Ω, solid-state FET, 3 channels — clean to crushing, with built-in reverb, a serial FX loop, media input, headphone out, and speaker-emulated XLR out with ground lift. Head only — pair it with an RG or RD cab. The classic Dime-era Randall grind at a working player’s price. Footswitch included.
View full pic ↗150 watts at 4Ω, solid-state FET, 3 channels — driving two 12″ speakers in a combo cab, with built-in reverb, FX loop, media input, headphone out, and speaker-emulated XLR out with ground lift. One-box stage volume — no head and cab to pair. Footswitch and casters included.
View full pic ↗80 watts at 4Ω, solid-state FET, 2 channels — driving a single 12″ Randall speaker in a combo cab, with built-in reverb, FX loop, media input, headphone out, and speaker-emulated XLR out. The all-rounder RG for practice, rehearsal, and gigs. 2-channel footswitch included.
View full pic ↗1.7 watts at 8Ω, solid-state pedal amp, 3 channels — independent gain and level per channel, 4-band EQ with Bass Boost and Mid Scoop, switchable volume boost, FX loop, and a 9V DC output to power other pedals. No speaker — it lives on your pedalboard and drives a cab like the RG8, or runs direct for recording and practice rigs. A full Randall rig in a pedal.
Buy them here at Mark's. Every price above is MAP, shown next to its Add to Cart button, and every amp is sold right here online at Mark's. Add any head, combo, cab, or footswitch to your cart and we'll ship it direct from our warehouse — pay online with Square.
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Every Park line we carry at Mark's, right here on its own Guitar Amps page — the complete current Park catalog: 18 amps, heads, and cabinets, every one with a photo, a description of its watts, tubes, and circuit, its price, and an Add to Cart button.
Jim Marshall created Park in 1965, building his circuits under a second name — and the P45, P50, and P75 became some of the most collected British amps ever made. Today Mitch Colby — 32 years in Marshall/Korg R&D — hand-builds Park again: handwired, vintage-style tube heads and combos that recreate the 1965 to mid-70s originals, plus his own Studio heads and Rock Head. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗View full pic ↗30 watts clean, 45 pushed — a handwired recreation of the amp that started it all: Jim Marshall's JTM45-style Park circuit with two KT66 power tubes and a GZ34 tube rectifier for natural 'squish' when you dig in. Open, airy cleans that turn touch-sensitive and singing, the voice made famous as the 'Bluesbreaker' sound. Head only — pair it with a Park cab.
View full pic ↗50 watts clean, 70 pushed — the 1966 'Black Flag' JTM50 circuit, among the earliest Plexi Parks, with a tube rectifier and full-size, original-spec transformers for fat low end and recording-quality sound at any volume. The P50 is famously collected by Angus Young of AC/DC. Head only — pair it with a Park cab.
View full pic ↗50 watts, all-tube — the Series 1986 'Super Bass' circuit as only Park built it. Voiced first for bass with added low end and a smoother top, guitarists adopted it for huge, balanced Plexi tone; it also takes keyboards and synths beautifully. Extra filtering gives a tighter, more immediate feel than the regular P50. Head only — pair it with a Park cab.
View full pic ↗50 watts — the split-cathode P50M, based on the JMP1987. The first split-cathode Park is brighter and more aggressive than the P50, cutting through any mix: the circuit that defined 70s rock and is still sought after today, built with full-size, original-spec transformers and no compromise in the low end. Head only — pair it with a Park cab.
View full pic ↗50 watts clean, 90 pushed — two KT88 power tubes give the P75 more clean headroom and a beefier, tighter low end than any EL34 Park. Marshall's most powerful and most collected Park circuit: bold, mid-focused, and tight no matter how hard you push it. Head only — pair it with a Park 4×12.
View full pic ↗50 watts built on Jim Marshall's original Park Master Volume amps — the cascading-gain circuit that became the JCM800. Mitch Colby's handwired PMV800 keeps the classic Park clean and adds the cascaded drive the PMV became famous for, with Pull Punch and Pull Bright voicing — Plexi-to-JCM grind at volumes a non-master Plexi can't reach. Head only — pair it with a Park cab.
View full pic ↗50 watts, two footswitchable channels — one clean, one overdrive — with a shared EQ, Mitch Colby's purpose-built Park Rock Head circuit based on the original Park PMV800. Stomp from classic Park clean to saturated rock drive with no jumper cables and no second amp. Head only — pair it with a Park cab.
View full pic ↗14–24 watts clean, 29–42 pushed depending on tubes and rectifier — the classic P45 circuit re-engineered for studio sessions and small venues, with full-size power and output transformers so it still sounds like a big Park, just quieter. Colby Auto Bias lets you run 6V6, KT66, 6L6, or EL34 power tubes without a tech visit. Head only — pair it with a Park 1×12 or 2×12.
View full pic ↗14–24 watts clean — a lower-powered take on the late-Plexi P50M and the original Park Master Volume, with channels that cascade in series for extra gain when you want it. Purpose-built for studio and small-venue use on early-to-mid-70s Park circuits, with full-size transformers for full-bodied sound and no compromise in the low end. Head only — pair it with a Park cab.
View full pic ↗18 watts of EL84 chime and throat — based on the Marshall 18 (1974 series) and the WEM Dominator, two of the most famous EL84 circuits ever made, with Mitch Colby's upgrades: footswitchable tremolo on channel two, a cascading-gain high-gain mode, and switchable 18W / 7W / 1W power so it produces record-quality tone at any level. Head only — pair it with a Park 1×12.
View full pic ↗The Park 18 as a 1×12 combo — the same Marshall 1974 / WEM Dominator EL84 circuit driving a Celestion 12″ speaker, with footswitchable tremolo, cascading-gain mode, and four power settings (18W, 7W, 1W, 0.5W) so it records beautifully at whisper level and still covers small rooms. One box — no cab to pair.
Buy them here at Mark's. Every price above is shown next to its Add to Cart button, and every Park is sold right here online at Mark's. Add any head, combo, or cab to your cart and we'll ship it direct from our warehouse — pay online with Square.
Pick your weapon ↓Pay online with Square — ships direct from our warehouse.
Powered by KMC Music · Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Hiwatt line we carry at Mark's, right here on its own Guitar Amps page — 25 heads, combos, cabinets, and footswitches, every one with a photo, a description of its watts, tubes, and speakers, its MAP price, and an Add to Cart button. Tap any amp's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Hiwatt reaches U.S. stores powered by KMC Music, its American distributor — and every Hiwatt on this page is sold through me, right here at Mark's. Dave Reeves founded Hiwatt in England in 1966 and built the loudest, cleanest amps in rock: hand-wired to military spec, with headroom that made them the sound of Pete Townshend, David Gilmour, and Jimmy Page — and the pedal platform every other amp is judged against. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗The amp that started it all — Dave Reeves' original circuit, hand-wired point-to-point in England to military spec. 100 watts of EL34 power with the famous Hiwatt headroom: glassy, uncompressed cleans at volumes that flatten other amps, and the definitive pedal platform — Townshend, Gilmour, and Page all built their sound on this head. Normal and Brilliant channels with a Linked input to blend both. Head only — pair it with a Hiwatt cab.
View full pic ↗Half the power tubes of the DR103, the same iconic circuit — hand-wired in England with 2× EL34s and 4× ECC83 preamp tubes. All the Hiwatt clarity, punch, and 3rd-and-5th-harmonic richness, with the edge of breakup reachable at recording and club volume instead of arena volume. The connoisseur's Hiwatt, and the circuit the Pedalsmith and Super-Hi lines are built on. Head only — pair it with a Hiwatt cab.
View full pic ↗200 watts from four KT88 power tubes — the biggest voice in the Custom range, hand-wired in England on the DR circuit. Firmer lows, airier highs, and headroom that simply does not run out: built for bass as happily as guitar, and for guitarists running huge pedal rigs, drop tunings, or parallel signal paths on the largest stages. If a DR103 is a power station, this is the grid. Head only — pair it with a Hiwatt cab.
View full pic ↗The Custom 20 circuit pushed to the next level: the famous SA20 hand-wired design with a switchable 40-watt output section — 40W for stage headroom, 20W to drive the tubes harder in the studio. Four EL84 power tubes, built-in spring reverb with Dwell control, and a Boost gain stage, all hand-wired in England. One head for the session and the show. Head only — pair it with a Hiwatt cab.
View full pic ↗Hiwatt's other original circuit: 20 watts of cathode-biased (Class A) EL84 power for a touch-sensitive response that follows your hands, hand-wired in England to Harry Joyce's military standards with original Partridge-spec English transformers. Simple Gain, 3-band EQ, and Master Volume — pristine Hiwatt cleans that thicken into rich overdrive at volumes a studio can actually use. Head only — pair it with a Hiwatt cab.
View full pic ↗The legendary DR103/DR504 preamp in a compact, hand-wired head: the same Dave Reeves circuit and Harry Joyce wiring, paired with a 20-watt EL84 power section that switches down to 0.5 watts for home and backstage. Normal and Brilliant channels with the Linked input — the Pete Cornish mod made famous by David Gilmour — for a richer, blended voice. Don't be misled by the name: at 20 watts this rig is anything but little. Head only — pair it with a Hiwatt cab.
View full pic ↗Hiwatt headroom, weaponized: based on the Custom Super-Hi, this 50W head runs two channels of cascading gain — four stages in total — each with independent Gain and Master controls, plus a footswitchable, channel-independent Super-Hi boost for four distinct levels of saturation. 3-band EQ with Presence and Depth, and a post-preamp effects loop that keeps your delays clean after the gain. Tight, articulate high gain that stays defined in drop tunings. 2-button footswitch included.
View full pic ↗The Super-Hi recipe at 33 watts: the same two cascading-gain channels and footswitchable Super-Hi boost, driven by a pair of 6V6 power tubes for a sweeter, earlier breakup at club and studio volume. Four ECC83 preamp tubes feed four stages of gain that stay tight and focused even tuned low — extreme gain that doesn't fall apart. Effects loop on board. Head only — pair it with a Hiwatt cab.
View full pic ↗The classic DR504 formula carried forward as a dedicated pedal platform: 50 watts of EL34 headroom voiced to stay clear, powerful, and authoritative under the most ambitious pedalboard. High and Low inputs feed the Normal and Brilliant channels simultaneously so you can blend warmth and attack, a three-position Filter switch reshapes the response, and a transparent post-preamp effects loop takes your time-based pedals after the preamp. Your pedals, at their absolute best.
View full pic ↗The DR504 circuit updated with modern building techniques: two 6V6 power tubes pushing 30+ watts of crystal-clear, dynamic Hiwatt tone, with pushed tones arriving at lower volumes than its 50-watt brother. High and Low inputs tune the front end to your pickups, and the effects loop keeps delays and reverbs pristine. A pedal platform like no other, sized for the studio and the club. Head only — pair it with a Hiwatt cab.
View full pic ↗The crown jewel of the Tube Series as a head: 40 watts of classic Hiwatt clean plus a touch-sensitive overdrive channel, cathode-biased (Class A) for a reactive feel, with power switching down to 20W to drive the tubes harder at less volume — the Studio/Stage trick, at a working player's price. Four EL84 output tubes, a wider EQ with pull Tone Shift, an FX loop, and true spring reverb. Head only — pair it with a Hiwatt cab.
View full pic ↗The T40's little brother: switchable 20W/10W power, Normal and Overdrive channels, and the same cathode-biased Class A touch sensitivity, from two EL84 power tubes. Half-power mode lets you push the tubes into natural Hiwatt overdrive in rehearsal rooms and studios, with true spring reverb and an FX loop on board. Head only — pair it with a Hiwatt cab.
View full pic ↗A true studio-quality practice amp: 5 watts of Class A tube power with classic British Hiwatt Clean and Crunch/Gain channels in a compact head engineered for sound quality over size. One ECC83 preamp tube into one EL84 power tube — hear the big difference a small amp can make, at volumes the whole house can live with. Head only — pair it with the HG112 cab.
Sold through me at Mark's. Hiwatt reaches U.S. stores powered by KMC Music — and every Hiwatt on this page is sold right here online at Mark's. Add any head, combo, cab, or footswitch to your cart and we'll ship it direct from our warehouse — pay online with Square. Free shipping on orders over $300 in the United States only.
Pick your weapon ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Cort line we carry at Mark's, right here on its own page under Guitars — 25 electric, acoustic, and bass guitars, every one with a photo, a description of its woods, pickups, and hardware, its price, and an Add to Cart button. Tap any guitar's photo to open its own details page — big photo, full description, price and Add to Cart.
Cort comes to U.S. stores through KMC Music, its American distributor — and every Cort on this page is sold through me, right here at Mark's, not direct from the factory. Cort's parent Cor-Tek builds over a million guitars a year, its own name and behind the scenes for famous brands alike — which is why a Cort packs name-brand pickups, stainless frets, and roasted-maple necks at prices the big names can't touch. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗The classic double-cutaway done right at a first-guitar price: a poplar body, hard maple neck and Jatoba fingerboard, with an HSS Powersound pickup set — two single-coils plus a bridge humbucker — on a 5-way switch, through a 6-screw vintage tremolo. Sparkle, quack, and full humbucker drive in one guitar. Open Pore Black (G110OPBK) shown; more finishes available online.
View full pic ↗The Special Edition step-up G: an American basswood double-cut body with an HSS pickup set and a push-pull coil-tap in the tone control, so the bridge humbucker splits to a true single-coil. A 2-point tremolo with bent steel saddles keeps the feel vintage and the tuning honest. Black (G250SEBK) shown.
View full pic ↗A deliberately overbuilt modern double-cut: a Seymour Duncan TB4 humbucker at the bridge for aggressive bite, Cort Voiced Tone VTS-63 single-coils for sparkle and cut, and a push-pull coil split for even more voices. Roasted maple Ergo-V neck with a compound radius, stainless frets, staggered locking tuners, a Graph Tech nut, and the Cort CFA-III S tremolo. Dragon Red Sparkle (G290MODERNDRS) listed.
View full pic ↗The flagship of the G Series: American basswood with a solid 6mm maple top, a roasted maple neck and fingerboard with Luminlay side dots, 24 stainless frets on a compound 12″–15.75″ radius, and a Seymour Duncan SH2N/TB4 humbucker set on custom 5-way wiring — full humbucker power plus glassy single-coil voices in positions 2 and 4. Staggered locking tuners, Graph Tech Black TUSQ nut, and the CFA-III tremolo. Metallic Gold (G300PROMGD) listed.
View full pic ↗The Glam twist on the G300 formula: a 6mm maple top on a chambered African mahogany body — deep, warm lows and bright, punchy mid-highs with superb sustain, at a weight your shoulder will thank you for by the third set. Seymour Duncan humbucker power with the G300's modern playability. Polar Ice Metallic (G300GLAMPIMB) listed.
View full pic ↗The entry point to the slick, fast X Series: a Meranti body and hard rock maple neck with a Jatoba fingerboard on a flat 15.75″ radius, two high-output Powersound humbuckers, and a 6-point tremolo. The same fast playability as the high-end X models, in open-pore finishes that let the wood breathe. Open Pore Black (X100OPBK) shown.
View full pic ↗The KX Series for everybody: 24 frets on a fast Jatoba fingerboard, Powersound dual humbuckers, and a hardtail bridge for tuning stability and sustain — no trem to fight while you're learning, or while you're riffing. Quality materials and Cort's attention-to-detail workmanship, rocking hard without breaking the budget. Black Metallic (KX100BKM) shown.
View full pic ↗The KX goes boutique: a spalted maple top on a mahogany body, with EMG RetroActive Super77 dual humbuckers in the classic zebra open-coil look — vintage-voiced attitude with active punch and clarity. Open-pore burst finishes show off every bit of that wild top grain; no two look exactly alike. Open Pore Raw Burst (KX300OPRB) listed.
View full pic ↗Cort's headline-making multi-scale 7 in an approachable package: fanned 25.5″–27″ frets with the neutral fret at the 8th position, an all-mahogany body, a roasted maple neck and fingerboard, and PowerBar bar humbuckers voiced for even, explosive output across all seven strings. Drop-tune it and the low string stays tight and articulate. Open Pore Black (KX307MSOPBK) shown.
View full pic ↗Built to shred, styled to stand out: a mahogany body under a dramatic Pale Moon ebony veneer top — every guitar's grain is one of a kind — with a Seymour Duncan Nazgûl at the bridge for tight, saturated high gain and a Sentient at the neck for fluid, articulate leads. Five-ply roasted maple & walnut neck, ebony fingerboard, 24 stainless jumbo frets, locking tuners, and a string-through hardtail. Natural Black Burst (KX500-NBB) listed.
View full pic ↗The KX flagship for players who never want to tune mid-set again: the EverTune constant-tension bridge holds every string at constant tension, so bends, drop tunings, and hard picking never pull you sharp — on stage, in the studio, anywhere. Open Pore Black (KX700OPBK) finish. Set it up once and just play.
View full pic ↗Triality means three pickups: a Fishman Fluence Open Core Classic humbucker — vintage PAF, hot-rodded humbucker, and overwound single-coil voices in one — plus two Fluence Single Width pickups for hum-free single-coil sparkle, switched by a 5-way with push-pull voicing. Swamp ash body, 5-piece roasted maple & walnut neck, roasted maple board, 24 stainless frets, staggered locking tuners, and the CFA-III tremolo. Open Pore Black Burst (X700OPBB) listed.
View full pic ↗The original X700 flagship formula: two humbuckers, maximum focus. The Duality II pairs the X700 platform — swamp ash body, 5-piece roasted maple & walnut neck, 24 stainless frets, staggered locking tuners, and the CFA-III tremolo — with a dual-humbucker layout for players who live on the bridge and neck and want nothing in between. Lava Burst (X700DUALITYII-LVB) listed.
Sold through me at Mark's. Cort Guitars reaches U.S. stores through KMC Music — and every Cort on this page is sold right here online at Mark's. Add any electric, acoustic, or bass to your cart and we'll ship it direct from our warehouse — pay online with Square. Free shipping on orders over $300 in the United States only.
Pick your weapon ↓Sold through Mark's — pay online with Square. Free shipping on orders over $300 in the United States only.
Every Martin string line we carry at Mark's, right here on its own page under Guitars and Accessories — 23 acoustic, classical, and bass string sets, every one with a real photo of the pack, a description of its alloy, gauges, and core, its MAP price, and an Add to Cart button. Tap any set's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Martin Strings reach U.S. stores powered by KMC Music distribution — and every set on this page is sold through me, right here at Mark's, not direct from the factory. Martin has wound strings in Nazareth, Pennsylvania since 1833's guitar shop grew up — the SP core, the treated Lifespan 2.0, Tony Rice's Monel Retros, and the nickel-cobalt Luxe Kovar are the sets working players restring with, week after week. Order a set online and we'll happily talk gauges by email before it ships.
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View full pic ↗The in-between gauge: phosphor bronze warmth with a little less tension than lights, so bends and fingerstyle come easier without giving up body. Martin's SP high-tensile core keeps tuning stable while the 92/8 phosphor wrap delivers the warm, broken-in Martin voice. Pack shown is the MA540 Light, same SP phosphor series.
View full pic ↗The best-selling Martin acoustic set, exactly as pictured: light-gauge 92/8 phosphor bronze wound on a high-carbon SP core for excellent tuning stability, durability, and tone that stays consistent set after set. Warm lows, clear highs, and the balanced feel most dreadnoughts and OM's ship with. If you don't know where to start, start here.
View full pic ↗Mediums for players who dig in: heavier phosphor bronze gauges that drive a big top harder, hold up to a heavy pick and drop tunings, and give flatpickers the volume and headroom lights can't. Same SP core and 92/8 wrap as the MA540. Pack shown is the MA540 Light, same SP phosphor series.
View full pic ↗80/20 bronze (80% copper, 20% zinc) on the SP core, exactly as pictured: brighter and more bell-like than phosphor, with crisp highs that help a dark guitar — or a full band mix — open up. The classic choice for recording, where that top-end shimmer sits right on tape.
View full pic ↗The medium 80/20: the MA140's bright, projecting bronze voice in a heavier gauge for harder playing, bigger volume, and tunings that drop. A favorite for bluegrass rhythm, where the chop has to cut. Pack shown is the MA140 Light, same SP 80/20 series.
View full pic ↗The Marquis touch, exactly as pictured: SP phosphor bronze lights with silk thread wrapped at the ball ends, cushioning the string where it meets the bridge — kinder to bridge plates and pins, and a signature of Martin's premium sets since the folk era. Same warm phosphor voice as the MA540, with vintage manners.
View full pic ↗The MA540's phosphor bronze voice with Martin's Lifespan 2.0 treatment applied to both the core and the wrap wires — it protects against finger oils and grime without the slick feel of a heavy coating, so the set sounds new far longer between changes. Pack shown is the MA550T Medium, same Lifespan 2.0 series.
View full pic ↗Exactly as pictured: medium-gauge phosphor bronze with the full Lifespan 2.0 treatment — the heavy-hitter's set that keeps its punch gig after gig. Built for players who sweat on stage and can't restring every show, with the same treated core-and-wrap protection as the lights.
View full pic ↗Luxe by Martin, exactly as pictured: Kovar — a nickel-cobalt alloy first made for aerospace — wrapped over the SP core. It's naturally corrosion-resistant with no coating at all, sits tonally between phosphor and 80/20, and responds beautifully to magnetic soundhole pickups. The premium custom-light set for players who want long life and a voice of its own.
View full pic ↗The light-gauge Kovar: the MK11's corrosion-proof nickel-cobalt alloy and in-between phosphor/80/20 voice at full light tension — a touch more volume and drive for strummers, same endless life. Pack shown is the MK11 Custom Light, same Luxe Kovar series.
View full pic ↗Monel — the nickel-and-copper alloy Martin used in the 1930s — brings back the warm, mellow, fundamental-heavy voice of the pre-war era: less zing, more wood. It tames a bright guitar beautifully and records like a vintage take. Pack shown is the MTR13 Tony Rice set, same Retro Monel series.
View full pic ↗Tony Rice's own set, exactly as pictured: Monel-wound mediums with bluegrass gauges — a slightly beefed-up low end for that driving rhythm chop and single-note runs that punch through a jam. The set that brought Monel back, voiced with the flatpicking legend himself.
View full pic ↗Eric Clapton's chosen phosphor bronze lights, exactly as pictured — the set he strings his signature Martins with, in the studio and on stage. Warm phosphor tone with a slightly softer feel that suits blues bends and fingerpicked dynamics alike.
View full pic ↗The medium Clapton's Choice: same signature phosphor bronze recipe in .013–.056 for more drive, more volume, and a firmer feel under a pick. Pack shown is the MEC12 Light, same Clapton's Choice series.
View full pic ↗Tommy Emmanuel's set, exactly as pictured: a thinner, flexible core wire under the phosphor wrap drops the tension, so a light-gauge set bends easier, plays faster, and feels broken-in from the first chord — built for fingerstyle gymnastics and long sets without the hand fatigue.
Buy them here at Mark's. Martin Strings are powered by KMC Music distribution and sold right here online at Mark's — no buying direct. Not sure which gauge your guitar wants? Tell the crew what's on it now and your style, and we'll ship you the right set — and fresh strings are the cheapest tone upgrade there is. Pay online with Square.
Back to Accessories ↓See Cort guitars ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Jasmine line we carry at Mark's, right here on its own page in the Acoustic Room — 8 acoustic and acoustic-electric guitars, every one with a real photo, a description of its body, woods, and electronics, its MAP price, and an Add to Cart button. Tap any guitar's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Jasmine is KMC Music's own acoustic brand — the line KMC has run since 2005, built around one idea: a first guitar (or a great second one) that plays easy, sounds full, and doesn't cost real money. Spruce tops, Jasmine's Advanced "X" bracing, slim necks, and satin finishes across the S, JO, and JD families — and every one is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse.
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View full pic ↗View full pic ↗The perfect first guitar, exactly as pictured — and one of the best-selling starter acoustics ever made. A full dreadnought body with a spruce top and Jasmine Advanced "X" bracing for a big, bold sound, agathis back and sides, a slim nato neck with a rosewood fingerboard at a full 25.5″ scale, and a smooth satin finish that lets the wood resonate. Exceptional value is the whole point of this guitar.
View full pic ↗The cutaway step-up, exactly as pictured: Jasmine's NEX body — a scaled-down jumbo shape that's comfortable under the arm — with a Venetian cutaway for the high frets, a spruce top with Advanced "X" bracing, sapele back and sides, and a mahogany neck with rosewood board. Big, bright tone with easier reach and an easier hold than a full dreadnought.
View full pic ↗The orchestra-body Jasmine, exactly as pictured: a spruce top with Advanced "X" bracing and sapele back and sides in a smaller, curvier body that balances string-to-string — made for fingerstyle and light strumming. A slim neck profile on a shorter 24.75″ scale and a rosewood fingerboard keep it comfortable for long sessions.
View full pic ↗The JO-36 with a cutaway and electronics: same orchestra body, spruce top and sapele back and sides, plus a Venetian cutaway and an onboard pickup/preamp system so it plugs straight into a PA or amp for open mics and church stages. Photo shows the JO-36, its acoustic sibling in the same JO series.
View full pic ↗The top of the JO line, exactly as pictured: a select solid-spruce top — the upgrade you hear as the guitar opens up year after year — with Advanced "X" bracing, sapele back and sides, a soft cutaway, and premium onboard electronics with a built-in tuner. Slim neck, 24.75″ scale, rosewood board and bridge. A stage-ready fingerstyle guitar at a Jasmine price.
View full pic ↗The plug-in dreadnought, exactly as pictured: a full dreadnought body with a spruce top and Advanced "X" bracing, sapele back and sides, a Venetian cutaway, and an onboard pickup/preamp so the big dreadnought voice goes straight to the PA. Slim neck profile and a 24.75″ scale keep it easy-playing for a big guitar.
View full pic ↗The solid-top dreadnought CE: a select solid-spruce top with Advanced "X" bracing for durability and tonal stability, sapele back and sides, a soft Venetian cutaway, and premium electronics — the ultimate in versatility and performance in the JD family, per Jasmine's own spec sheet. Photo shows the JD-36CE, its sibling in the same JD series.
View full pic ↗The JD flagship in black, exactly as pictured: a full dreadnought with cutaway and stage electronics, dressed in a gloss black finish with the series' spruce top, Advanced "X" bracing, sapele back and sides, and slim neck profile. The most guitar Jasmine makes — and the one that looks the part under stage lights.
Buy them here at Mark's. Jasmine is a KMC Music brand, and every Jasmine on this page is sold right here online at Mark's — no buying direct. A first guitar should be set up right: Pay online with Square.
See Cort guitars ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every Washburn line we carry at Mark's, right here on its own page in the Acoustic Room — 15 acoustic and acoustic-electric guitars, every one with a real photo, a description of its body, woods, and electronics, its MAP price, and an Add to Cart button. Tap any guitar's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Washburn has built guitars in America since 1883 — and today Washburn reaches U.S. stores powered by KMC Music distribution. From the first-guitar Apprentice line and the stage-ready Festival series to solid-top Heritage dreadnoughts, the figured Bella Tono studio bodies, and the armrest-bevel Comfort grand auditoriums, every Washburn here is sold through me, right here at Mark's, not direct. Order online — shipped direct from our warehouse, free shipping on orders over $300 in the United States only.
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View full pic ↗The plug-in starter dreadnought, exactly as pictured in Tobacco Burst: a full dreadnought body with a cutaway, a spruce top with quarter-sawn scalloped X-bracing, mahogany back and sides, a rosewood fingerboard, and Washburn onboard electronics with a built-in tuner — so your first guitar is already an open-mic guitar. Gloss finish, chrome die-cast tuners, full 25.5″ scale.
View full pic ↗Washburn's Apprentice dreadnought, exactly as pictured: the guitar the line was built on — a select spruce top over mahogany back and sides for a warm, full dreadnought voice, with a comfortable satin mahogany neck and a rosewood board. No frills, no shortcuts where it counts: this is the starter that still sounds like a real guitar years later.
View full pic ↗The Festival that started a thousand stage careers, exactly as pictured: a comfortable Mini Jumbo cutaway body with a flame maple top in Tobacco Burst, catalpa back and sides, and Washburn's onboard preamp with EQ and tuner. Slim, easy to hold standing up, and voiced to sit right in a live mix — the acoustic-electric working players have trusted since the Festival series defined the category.
View full pic ↗The step-up Festival: a full-size cutaway body with a spruce top and mahogany back and sides for more low-end and headroom than the Mini Jumbo, plus the series' stage electronics and a slim, fast neck. The EA20 has been a festival-stage staple for decades for a reason — it just works, plugged or unplugged. Photo shows the EA15, its sibling in the same Festival series.
View full pic ↗The best-selling solid-top dreadnought in its class, exactly as pictured: a solid Sitka spruce top — the upgrade that keeps opening up the longer you own it — over mahogany back and sides, with Washburn's tortoise pickguard, multi-lam rosette, and a satin mahogany neck. Big, warm, balanced dreadnought tone that records as good as it strums. The D10 is the guitar that made modern Washburn's name.
View full pic ↗The D10S with a cutaway and a pickup, exactly as pictured: the same solid Sitka spruce top and mahogany body, a Venetian cutaway for the high frets, and onboard electronics with a built-in tuner so the Heritage voice goes straight to the PA. Everything that makes the D10S a benchmark, ready for the stage the day it arrives.
View full pic ↗The big one: a full jumbo body with a solid spruce top and flame maple back and sides — maple's clarity and projection in the biggest voice Washburn makes, with a cutaway and stage electronics. Strum it hard and it just gets louder and clearer; fingerpick it and the jumbo body gives every note room to bloom. Photo shows the D10S, its sibling in the same Heritage series.
View full pic ↗The Bella Tono entry point: Washburn's Studio body — smaller than a grand auditorium, focused and balanced — with a solid spruce top, pau ferro back and sides, and the series' signature vine inlay running up the fingerboard. A fingerstyle and recording guitar with boutique looks at a working price. Photo shows the Allure SC56S, its sibling in the same Bella Tono series.
View full pic ↗The Bella Tono flagship, exactly as pictured: a Studio cutaway body with a solid spruce top, figured back and sides, abalone rosette and binding, the vine inlay, a comfort armrest bevel where your forearm rests, and full onboard electronics. It plays like a grand auditorium, records like a small-body, and looks like it cost twice the price under stage lights.
View full pic ↗The Harvest grand auditorium, pictured here in its WG7S acoustic form: a solid spruce top over mahogany in the versatile GA body — dreadnought volume with a tighter waist for fingerstyle clarity — and in CE trim, a cutaway and onboard electronics for the stage. The one-body-does-everything Washburn for players who strum, pick, and plug in, all in the same set.
View full pic ↗The travel-size Comfort: a 7/8-scale Grand Auditorium built from koa — top, back, and sides — with the Comfort series' sculpted armrest bevel, so a smaller guitar never digs into your arm on a long session. Koa's sweet, focused voice in a body that fits smaller players, couch corners, and tour-van seats alike. Photo shows the full-size G55CE, its sibling in the same Comfort series.
View full pic ↗The Comfort flagship, exactly as pictured: a Grand Auditorium cutaway in figured koa — solid koa top over koa back and sides — with Washburn's deluxe mahogany armrest bevel, a maple/mahogany rosette, and stage electronics. Koa starts bright and sweet and warms up with every year you play it; the bevel means you'll actually play it for hours. The most beautiful guitar in the Acoustic Room, full stop.
View full pic ↗The Woodline orchestra: a smaller orchestra body with a solid Sitka spruce top and pau ferro back and sides — a rosewood-family tonewood with striking grain and a warm, articulate voice — plus a cutaway and onboard electronics. Woodline is Washburn's all-solid-wood thinking at a mid price: balanced string-to-string, made for fingers, and dressed in wood binding and an understated natural finish. Photo shows the WLO10SCE, its sibling in the same Woodline series.
View full pic ↗Washburn's classical starter, exactly as pictured: a traditional fan-braced classical body with a spruce top and catalpa back and sides, a wide 2″ nut and flat fingerboard for proper nylon-string technique, and a warm, mellow voice for classical, bossa, and fingerstyle. The affordable way into nylon — for students starting lessons and steel-string players crossing over.
View full pic ↗The C5 with a cutaway and electronics: the same spruce-top classical voice, a Venetian cutaway for the upper register, and an onboard pickup/preamp so nylon tone plugs straight into a PA or acoustic amp — for weddings, restaurants, and church gigs where a classical has to be heard across the room. Photo shows the C5, its acoustic sibling in the same series.
View full pic ↗The 12-string, Woodline style, exactly as pictured: a solid spruce top over mahogany in the balanced orchestra body — so the 12-string chorus stays shimmering and clear instead of muddy — with onboard electronics for the stage. Strum one chord and you'll understand: this is the Byrds / Eagles / Zeppelin jangle in a comfortable, gig-ready body.
Buy them here at Mark's. Washburn is powered by KMC Music distribution in the U.S., and every Washburn on this page is sold right here online at Mark's — no buying direct. Add any guitar to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
See Jasmine guitars ↓The department for everything between the instrument and the audience — mixers, microphones, audio interfaces, studio monitors, headphones, and PA & live-sound gear for the stage, the studio, and the home rig.
Tracking your first demo, building a home studio, or putting sound in a room that has to hear every word? Tell the crew what you're recording or where you're playing and they'll match the gear to the job — matched to your room and crowd.
PA systems and live mixers sized for rehearsal rooms, clubs, houses of worship, and outdoor gigs — mains, monitors, and the cables and stands to run them.
Browse the Mackie catalog →Browse the JBL catalog →USB and Thunderbolt interfaces, recording mixers, and control surfaces for home and project studios — get your guitar, keys, drums, and voice into the computer clean and loud.
Browse the Universal Audio catalog →Stage dynamics for vocals and amps, condensers for studio vocals and overheads, and the stands, clips, and cables to put them where the sound is.
Browse the Shure catalog →Browse the CAD catalog →Nearfield studio monitors and reference headphones that tell the truth about your mix — so what you hear in the studio is what everyone else hears everywhere else.
Browse the Lake People catalog →Not sure what your rig needs? That's the whole point of the department. Bring in your setup list — or just describe the room, the band, or the recording — and the Pro Audio crew will build the chain with you, piece by piece, and let you hear it before you buy.
Pick your weapon ↓Pay online with Square — ships direct from our warehouse.
Every Shure line we carry at Mark's, right here on its own page under Microphones in Pro Audio — 37 microphones, wireless systems, in-ears, headphones, and drum kits, every one with a photo, a description of its pattern, type, and job, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Shure has been the sound of stages and studios since 1925. The SM58 is the most-used vocal mic on Earth, the SM57 is on more snares and guitar cabs than everything else combined, and the SM7B is the broadcast and podcast standard. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗The mic on Thriller, on every big radio voice, and in half the podcasts you've ever heard. A large-diaphragm dynamic with a smooth, flat, wide-range response, legendary rejection of room noise and electromagnetic hum, bass tilt and midrange switches, and an internal shock mount. Hungry for gain — pair it with a strong preamp or an inline booster, and it will make any voice sound like radio. Mic only — needs an interface or mixer and a boom or stand.
View full pic ↗The SM7B with its one problem solved inside the mic: a switchable +18 or +28 dB preamp designed by Shure, powered by phantom power, so the classic SM7 sound works straight into any interface — no Cloudlifter, no gain-hungry preamp required. Same smooth broadcast voice, same hum rejection, same windscreen. The one-mic-for-a-decade choice for podcasters and streamers.
View full pic ↗The SM7-inspired mic for creators: plug it into a laptop over USB-C today and into a pro interface over XLR tomorrow. The MV7+ adds an LED touch panel, Auto Level Mode, a real-time denoiser, a digital popper stopper, and reverb in the MOTIV Mix app — broadcast-flavored vocals with zero engineering. OBS-certified and equally happy on a desk stand or a boom arm.
View full pic ↗The original hybrid that started the MV7 line: Shure's Voice Isolation Technology focuses on your voice and leaves the room behind, with Auto Level Mode over USB and a straight XLR output for when you move to an interface. All-metal build, integrated mount, headphone monitoring — the proven podcast and home-studio starter that still outsells almost everything.
View full pic ↗The MV7's XLR-only sibling: same voice-isolation capsule, same all-metal SM7-style body, no USB electronics to pay for. Built for multi-mic podcast rigs and vocal recording through a real interface — buy two or four and mic the whole table for less than one SM7B. Needs an interface or mixer with decent gain.
View full pic ↗Shure's studio workhorse condenser: an embossed single-diaphragm capsule with a smooth, natural, un-hyped response that flatters vocals, acoustic guitars, choirs, and overheads alike. Switchable 15 dB pad and three-position low-cut filter handle loud sources and room rumble; shock mount and case included (champagne KSM32/SL shown; charcoal stage version also stocked). Needs phantom power.
View full pic ↗The top of the KSM line: a dual-diaphragm, externally biased condenser with three switchable patterns, Shure's Prethos preamp for an ultra-low 4 dB self-noise, and a transparency that records exactly what the room sounded like. Vocals, piano, room pairs, mid-side rigs — the one condenser that covers the whole studio. Shock mount, case, and phantom power required.
View full pic ↗A large-diaphragm condenser built like an SM: rugged enough for the stage, accurate enough for the studio. The SM27's 1″ capsule, 15 dB pad, and three-position low-cut filter make it a natural on vocals, guitar cabs, overheads, and brass — condenser detail without condenser fragility. Needs phantom power; shock mount included in the SM27-SC version.
View full pic ↗The easiest way to cut the cord: a BLX4 single-channel receiver and a handheld transmitter with Shure's PG58 capsule. One-touch QuickScan finds the clearest frequency, you get up to 300 feet of range and 14 hours from two AAs, and up to 12 compatible systems per band. For singers, presenters, and houses of worship going wireless for the first time.
View full pic ↗The BLX system with the legendary SM58 capsule in the handheld — the wireless version of the world's stage mic. QuickScan setup, 300-foot range, XLR and ¼″ outputs, and the same vocal sound your wired 58 gives you, with nothing trailing behind you. The default first pro wireless for working singers.
View full pic ↗BLX wireless with the tighter, hotter Beta 58A capsule: more gain before feedback and more top-end detail for loud stages, on Shure's simplest wireless platform. QuickScan frequency selection, up to 12 systems per band, and 14-hour AA battery life.
View full pic ↗Two wireless handhelds in one box: the BLX88 dual-channel receiver runs two PG58 transmitters at once, with individual volume controls and XLR outputs per channel. Duos, DJ + MC, worship teams, and karaoke rigs — two voices, one receiver, QuickScan-simple setup.
View full pic ↗Digital wireless without the anxiety: GLX-D+ works in both 2.4 and 5.8 GHz, automatically hops away from interference, and runs up to 17 hours on a rechargeable battery that charges right in the receiver bay. This vocal system pairs the SM58 handheld with transparent 24-bit digital audio — set it up in minutes and forget RF exists.
View full pic ↗The rackmount GLX-D+ vocal system: a metal half-rack receiver with removable antennas, dual-band RF that manages itself, a built-in battery charger, and the Beta 58A handheld for tight, detailed vocals on loud stages. For bands and venues building a real rack — pictured with its Beta 58A transmitter.
View full pic ↗Pro digital wireless in Shure's workhorse UHF band: transparent 24-bit audio, over 118 dB of dynamic range, rock-solid RF with a wide tuning range, and an easy LCD/IR-sync setup. The SLX-D+ generation adds the SM58 handheld to a receiver built for clubs, churches, schools, and touring racks — with rechargeable battery options.
View full pic ↗The SLX-D+ system voiced for lead vocalists: the Beta 58A's supercardioid tightness and extra output on a digital UHF link with 24-bit clarity and dropout-resistant RF. Pictured with its SLXD4 receiver — the combination most of our live customers take home.
View full pic ↗Two channels of SLX-D digital in a single rack space: a dual receiver with two SM58 handheld transmitters, shared power and antenna convenience, and the same 24-bit, high-dynamic-range audio as the single systems. The tidy way to put two lead voices — or a singer and an MC — on pro digital wireless.
View full pic ↗Shure's professional digital line: QLX-D delivers transparent 24-bit audio, efficient RF with up to 17 compatible systems per band, AES-256 encryption, and Ethernet networking for remote monitoring and control. The SM58 handheld system is the touring and install standard — the wireless our rental and venue customers spec by name.
Buy them here at Mark's. Every price above is MAP, shown next to its Add to Cart button, and every Shure product is sold right here online at Mark's. Add any mic, wireless system, earphone, headphone, or kit to your cart and we'll ship it direct from our warehouse — pay online with Square. Wireless buyers: bring your venue or church location and the crew will pick the right frequency band for your area.
Pick your weapon ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every CAD line we carry at Mark's, right here on its own page under Microphones in Pro Audio — 13 studio condensers, stage dynamics, USB mics, and drum mic packs, every one with a real photo, a description of its pattern, type, and job, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
CAD Audio reaches U.S. stores powered by KMC Music — CAD has built microphones in Ohio since the Astatic heritage of 1931, and its Equitek, GXL, and CADLive lines are the working-musician's secret: studio-grade condensers and stage-tough dynamics at prices that leave budget for the rest of the rig. Every CAD mic on this page is sold through me, right here at Mark's — no buying direct. Order online, pay with Square, shipped direct from our warehouse.
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View full pic ↗The fourth generation of CAD's Equitek E100, exactly as pictured — a 30-year studio lineage in a unique side-address body. The tight supercardioid 1″ capsule rejects room noise like nothing else at the price, which is why podcasters, voice actors, and home studios swear by it: condenser detail with dynamic-mic isolation. Switchable -10 dB pad and 100 Hz high-pass filter, shockmount built into the body. Needs phantom power.
View full pic ↗The mic that started a million home studios, exactly as pictured in its shockmount: a large 1″ gold-sputtered diaphragm with high sensitivity and low distortion, a fixed cardioid pattern, and a 30 Hz–20 kHz response that flatters vocals, acoustic guitar, and overheads alike. If you're buying your first real condenser, this is the one the crew hands you. Needs 48V phantom power. XLR.
View full pic ↗The GXL step-up with three switchable patterns — cardioid for vocals, figure-8 for duets and mid-side rigs, omni for room and ensembles — exactly as pictured, with a -10 dB pad and high-pass filter for loud sources and rumble. One mic that covers the whole session: lead vocal today, string quartet tomorrow. Shockmount included. Needs phantom power.
View full pic ↗CAD's pencil condenser: a small-diaphragm cardioid that lives on drum overheads, hi-hat, acoustic guitar fretboards, and choirs — anywhere you need fast transient detail and a mic that stays out of the frame. Buy two and you have a stereo pair for less than one big-name pencil. Photo shows the GXL2200, its large-diaphragm sibling in the same GXL series. Needs phantom power.
View full pic ↗The instant mic locker: CAD's studio pack pairs a large-diaphragm cardioid condenser for vocals with a small-diaphragm condenser for instruments and overheads — the two-mic combination that covers 90% of home-studio sessions, in one box with mounts. The smartest first purchase on this page if you're starting from zero. Photo shows the GXL2200, from the same GXL condenser family. Needs phantom power.
View full pic ↗The E100's smaller Equitek sibling: a medium-diaphragm supercardioid condenser voiced for instruments — guitar cabs, brass, strings, and drum overheads — with the same family traits of tight pickup, a -10 dB pad, and a high-pass filter. The utility condenser that quietly ends up on everything. Photo shows the E100Sx, its flagship sibling in the same Equitek series. Needs phantom power.
View full pic ↗The whole kit in one case, exactly as pictured: CAD's D10 kick mic, a D19 for snare, three D29 tom mics with rim clips, and a pair of C9 condenser overheads — seven mics voiced to work together, with the mounting hardware and a carry case. Mic a full drum kit live or in the studio for less than two big-name single mics. The drummer's best-value purchase on this page.
View full pic ↗The Stage7's little brother: four mics — D10 kick, D19 snare, and two D29 toms — covering the core of the kit, with rim clips and a case. Add your favorite overheads later, or run it as-is for tight club stages where four channels is what the board has. Photo shows the Stage7, its sibling in the same Stage series.
Buy them here at Mark's. CAD Audio is powered by KMC Music distribution in the U.S., and every CAD mic on this page is sold right here online at Mark's — no buying direct. Add any mic or pack to your cart and Pay online with Square — ships direct from our warehouse, free shipping on orders over $300 in the United States only.
See Shure mics ↓Pay online with Square — ships direct from our warehouse.
Every Mackie line we carry at Mark's, right here on its own page under PA & Live Sound in Pro Audio — 28 powered speakers, subwoofers, portable PA systems, and live mixers, every one with a photo, a description of its watts, drivers, and channels, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Mackie has been the working musician's PA since the original SRM450 put powered speakers on every club stage in America. Thump is the best-selling powered speaker line in the business, the SRM series is the road standard, and ProFX mixers run more small rooms than anything else with faders. Buy it here, from us — online only, shipped direct from our warehouse.
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View full pic ↗View full pic ↗The current Thump workhorse: 1,400 watts of Class-D power through a 12″ woofer and 1″ compression driver, with a built-in 2-channel mixer, a Feedback Eliminator that kills squeal before it starts, and Music Ducking that drops the music when you talk over it. Pole-mount it as a main or lay it down as a floor monitor — light enough to load in one trip, loud enough for clubs, DJs, and full bands. Priced each.
View full pic ↗The 15″ Thump: everything the Thump212 does — 1,400W Class-D amp, built-in 2-channel mixer, Feedback Eliminator, and Music Ducking — with a bigger woofer for deeper low end and up to 129 dB of output. The pick when one pair of mains has to carry the kick and bass without a sub, or when the room is just bigger. Photo shows the Thump212, its 12″ sibling in the same series. Priced each.
View full pic ↗The enhanced Thump: the 212's 1,400W platform plus Bluetooth streaming and stereo pairing, four application voicing modes, an outdoor mode, and full wireless control from the Thump Connect 2 app — levels, voicing, and the front LED, all from your phone at the back of the room. Same Feedback Eliminator and ducking, same one-trip weight. Photo shows the Thump212, its sibling in the same series. Priced each.
View full pic ↗The biggest enhanced Thump: a 15″ woofer pushing 1,400W to 129 dB, with Bluetooth streaming and stereo link, four voicing modes plus outdoor mode, and Thump Connect 2 app control over everything. For DJs and bands who want the deepest Thump low end and phone-in-hand control of the rig. Photo shows the Thump212, its 12″ sibling in the same series. Priced each.
View full pic ↗The 15″ Thump sub: 1,400 watts into a high-output 15″ woofer in a road-ready cabinet, with a variable crossover, stereo inputs and outputs, polarity invert, and a pole cup for your Thump mains. Adds the chest-hit that 12″ and 15″ tops can't reach on their own — the single best upgrade to any Thump rig. Photo shows the Thump118S, its 18″ sibling in the same series.
View full pic ↗The big Thump sub, exactly as pictured: an 18″ woofer and 1,400W of Class-D power for the deepest, loudest low end in the Thump line, with variable crossover, stereo through-outputs, and a rugged cabinet with handles and a pole mount for your mains. DJs, hip-hop, EDM, and any band whose kick drum is the headliner.
View full pic ↗Mackie's flagship portable, shown here laid back as a floor monitor: 2,000 watts, premium custom transducers, Advanced Impulse DSP for flat, phase-accurate response at any volume, and a built-in 4-channel digital mixer with Bluetooth streaming and full control from the SRM Connect app. Pole it, fly it, or wedge it — this is the SRM that replaced a rack of processing. Priced each.
View full pic ↗The 15″ V-Class: the SRM212's 2,000W platform, Advanced Impulse DSP, built-in 4-channel digital mixer, Bluetooth, and SRM Connect app control, with a 15″ woofer for more low-end authority before you add subs. The one-box main for venues and bands who want pro clarity at pro volume. Photo shows the SRM212 V-Class, its 12″ sibling in the same series. Priced each.
View full pic ↗Mackie's column PA: a 10″ subwoofer base (pictured, with its built-in 6-channel digital mixer) and a snap-together 6-driver line array that throws wide, even coverage the whole room can hear without feedback drama. Two mic/instrument inputs, Bluetooth streaming, built-in reverb and EQ, and SRM Connect app control — sets up in two minutes and carries in one trip. For solo acts, duos, weddings, and spoken word.
View full pic ↗A whole solo rig in one box, exactly as pictured: a 400W battery-powered speaker with a 6-channel mixer whose control panel breaks away and mounts on your mic stand, so your levels and built-in effects — including amp sims and vocal FX — sit right at your hands. Bluetooth streaming, a feedback eliminator, USB-C recording/playback, and up to 12 hours per charge. Buskers, solo gigs, and backyard sets, sorted.
Buy it here at Mark's. Every price above is MAP, shown next to its Add to Cart button, and every Mackie product is sold right here online at Mark's. Add any speaker, sub, portable PA, or mixer to your cart and we'll ship it direct from our warehouse — pay online with Square. Building a whole system? Tell us your room size and crowd count when you order and the crew will spec mains, subs, monitors, and a mixer that cover it without feeding back.
Pick your weapon ↓Sold through Mark's — Pay online with Square — ships direct from our warehouse.
Every JBL line we carry at Mark's, right here on its own page under PA & Live Sound in Pro Audio — 21 powered speakers, subwoofers, portable column PA systems, and passive cabinets, every one with a photo, a description of its watts, drivers, and DSP, its MAP price, and an Add to Cart button. Tap any product's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
JBL Pro gear reaches this store powered by KMC Music distribution — and every JBL on this page is sold through me, right here at Mark's, not direct. From the EON700 rig-in-a-box speakers to the tour-grade SRX800P series, this is the PA wall: order it online, matched to your room.
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View full pic ↗The compact EON700: 1,300 watts through a 10″ woofer and horn-loaded high-frequency driver, with JBL's built-in 3-channel digital mixer, dbx DriveRack-style automatic feedback suppression, Bluetooth 5.0 streaming, and full control from the JBL Pro Connect app. Photo shows the EON715, its 15″ sibling in the same series. Priced each.
View full pic ↗The 12″ EON700 — the sweet spot of the line: enough low end to run small gigs without a sub, the same 3-channel mixer, feedback suppression, Bluetooth streaming, and app control as the whole family, in a cabinet one person pole-mounts easily. Photo shows the EON715, its 15″ sibling in the same series. Priced each.
View full pic ↗The biggest EON700 main, exactly as pictured: a 15″ woofer moving real air under the same DSP, 3-channel mixer, Bluetooth, and app control — the pair-of-mains answer for bands and DJs who want full-range thump before they add subs. Wedge it as a monitor or pole it as a main. Priced each.
View full pic ↗The EON700 system's low end, exactly as pictured: 1,500 watts into an 18″ woofer in a birch cabinet, with DSP-tuned crossover points that pair it perfectly with EON710/712/715 tops, plus a pole socket for your mains. Adds the floor-shake the tops can't reach. Priced each.
View full pic ↗The compact PRX900: a full 2,000W amp and the series' deep DSP — 12-band parametric EQ, crossover, delay, and presets, all from the Pro Connect app — in an 8″ cabinet that works as a tiny main, a delay fill, or a very serious monitor. Photo shows the PRX915, its 15″ sibling in the same series. Priced each.
View full pic ↗The 12″ PRX900 main: 2,000 watts, a composite cabinet that's light and road-tough, and the full DSP suite with app control — the step from portable PA to pro rig, in the size most working bands actually haul. Photo shows the PRX915, its 15″ sibling in the same series. Priced each.
View full pic ↗The flagship PRX900 top, exactly as pictured: a 15″ Differential Drive woofer and 1.5″ compression driver under 2,000 watts of Class-D power, with 12-band EQ, feedback suppression, and limiters tuned in DSP and run from your phone. Full-range enough to skip subs for speech and acoustic gigs; devastating with them. Priced each.
View full pic ↗The 15″ PRX900 sub: 2,000 watts into a long-excursion woofer in a birch ply cabinet, with DSP crossover, EQ, and polarity matched to PRX900 tops — the tidy footprint sub for rigs that load into an SUV. Photo shows the PRX918XLF, its 18″ sibling in the same XLF family. Priced each.
View full pic ↗The big PRX900 sub, exactly as pictured: an 18″ woofer and 2,000 watts for sub-bass you feel in the floor, with the full DSP suite and app control, in a tour-ready birch cabinet with casters' worth of handles. The bottom end of a serious PRX rig. Priced each.
View full pic ↗Two 15″ woofers in one tall PRX900 cabinet — the old-school full-range stack, modernized with 2,000 watts and the full DSP/app package. Runs a whole dancefloor without subs for most rooms, and stands at ear height with no poles or stands to pack. Photo shows the PRX915, its single-15 sibling in the same series. Priced each.
View full pic ↗The 12″ SRX: tour-grade plywood cabinet, Crown DriveCore power, and JBL's premium Differential Drive transducers with full network DSP — the monitor or compact main for stages that take sound seriously. Photo shows the SRX815P, its 15″ sibling in the same series. Priced each.
View full pic ↗The SRX flagship top, exactly as pictured: 2,000 watts of Crown DriveCore into a 15″ Differential Drive woofer and 3″ voice-coil compression driver — up to 137 dB of clean, controlled output in an 18mm birch cabinet built for the road, with Ethercon network control. This is the one the rental houses buy. Priced each.
View full pic ↗A whole PA that carries like a briefcase, exactly as pictured: a 4-channel mixer with reverb, an 8″ woofer, and a swappable rechargeable battery good for up to 12 hours — plus Bluetooth streaming and app control. Buskers, ceremonies, fitness classes, and backyard sets, sorted.
View full pic ↗The step-up column, exactly as pictured: a 10″ subwoofer base and an 8-driver column array throwing wide, even coverage, a 5-channel digital mixer with Lexicon effects and dbx feedback suppression, and a rechargeable battery for up to 6 hours off the grid. Weddings and corporate gigs that hear every word.
View full pic ↗JBL's flagship column, exactly as pictured: a 12″ sub and a 12-driver articulated array pushing up to 130 dB of wide, even coverage, a 7-channel digital mixer, Lexicon reverb/delay/chorus, dbx compression and feedback suppression, and Bluetooth — a full pro rig that sets up in one trip and one minute.
View full pic ↗The classic suitcase PA: two 8″ two-way speakers and an 8-channel powered mixer with reverb that all latch together into a single carrying case, cables and all. For schools, churches, and presenters who need real PA that stores in a closet. Photo shows the EON ONE Compact, its sibling in the EON portable family. System priced complete.
Buy it here at Mark's. JBL is powered by KMC Music and sold right here online at Mark's — no buying direct. Tell us your room size and crowd count when you order and the crew will spec a system that covers it without feeding back, matched to your room and crowd. Pay online with Square.
See Mackie ↓Pay online with Square — ships direct from our warehouse.
This is the full Sabian line we carry at Mark's: 11 series, 60+ individual cymbals plus packs & sets, every one with a photo, a description of its series, size and sound, its MAP price, and an Add to Cart button. Tap any cymbal's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Every model ships direct from our warehouse — order online and hear it with your own kit. in mind, right here at Mark's.
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View full pic ↗Matched Complex B20 set — dark, musical, ready for stage & studio.
View full pic ↗Bright modern AAX in one matched box.
View full pic ↗Neil Peart's complete Paragon setup.
View full pic ↗Pro B20 value set — our best-selling Sabian pack.
View full pic ↗Heavier XSR voices for rock & metal.
View full pic ↗The full Stratus B20 setup in one set.
View full pic ↗B8 bronze starter-plus set.
View full pic ↗First-kit brass set — everything to get hitting.
View full pic ↗The bigger SBr box — extra crash included.
Buy them here at Mark's. Every price above is $20 off MAP — the MAP struck through — shown next to its Add to Cart button, and every cymbal is sold right here online at Mark's. Add any cymbal or pack to your cart and we'll ship it direct from our warehouse — pay online with Square.
Pick your weapon ↓Pay online with Square — ships direct from our warehouse. No two hand-hammered Dreams sound alike.
The full Dream line we carry at Mark's: Bliss, Contact, Energy, Dark Matter, Eclipse & Ignition — 56 individual cymbals plus packs & sets, every one hand-hammered from cast B20 bronze, and every one with a photo, a description of its series, size and sound, its MAP price, and an Add to Cart button. Tap any cymbal's photo to open its own details page — big photo, full description, MAP price and Add to Cart.
Dream cymbals are made one at a time — no two sound exactly alike. Every cymbal is one of a kind — order online, right here at Mark's, and we'll ship the exact model you picked direct from our warehouse.
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View full pic ↗Hand-hammered cast bronze at an entry price — Bliss & Contact lathing in one starter pack.
View full pic ↗The bigger Ignition box — more presence & sustain for loud stages.
View full pic ↗The full Ignition setup — two crashes and a bag in the box.
View full pic ↗Four Bliss voices in one matched bundle — the dark, warm Dream sound, complete.
View full pic ↗Hand-forged, hand-hammered Bliss in a full four-piece set.
View full pic ↗The raw-bell Energy setup — explosive, cutting, stage-ready.
View full pic ↗Stepped-up Energy sizes for bigger rooms & louder bands.
View full pic ↗The twice-fired Dark Matter sound in one matched set.
View full pic ↗The bigger Dark Matter bundle — darker, washier, wider.
Buy them here at Mark's. Every price above is $20 off MAP — the MAP struck through — shown next to its Add to Cart button, and every cymbal is sold right here online at Mark's. No two hand-hammered Dreams sound alike — add the one you pick to your cart and we'll have that exact cymbal shipped direct from our warehouse. Pay online with Square.
Pick your weapon ↓
